Categories
Guest Interviews

NMC Guest: Bekka (The Tyne Tribe)

How long have you been active in the north east music scene and what do you do?
Oooh. This is a hard question to answer as I’ve been in and out for years, ha! But if we’re focusing on what I do currently, then I would say since the start of 2021.

I had the idea of wanting to create a newsletter database for gig-listings for when the world is out of the pandemic. I got too excited and launched The Tyne Tribe on International Women’s Day. In it’s current form, it’s best described as a curated newsletter of some of my favourite musical discoveries from the North East who I call “The Tribe” (I spent four years in London so I’m basically re-educating myself) and it also features some small-scale reviews, shares other publications articles’ and songs I’m currently listening to.

As lockdown restrictions ease it will focus more towards listings, events and music news but for now I am enjoying sharing some of our regions best talent and being able to provide another platform to shout about how wicked everyone is.

How did you become involved in music and what have you done to get where you are today?
So I used to have a couple of online zines from around 2011-2015 that focused more on promoting acts from the UK and USA rather than necessarily regionally. I went to University in Sunderland though, so had some very ad-hoc single review pieces published in The Crack and on the Uni’s website as well.

But my zines helped me land an internship at Sony Music so I moved down south and worked on various releases including Blue, Judas Priest, Carrie Underwood and Live Lounge. After my year was up I moved to a digital agency where I spent three years creating social strategies and album campaigns for Ward Thomas, Calum Scott, Tom Walker, Years & Years, The xx, Ellie Goulding and loads more! It was a brilliant experience and I loved seeing the real industry side of things that seems to be hidden to us Northerners.

After four years down south I decided to come back up North and for a while I didn’t do too much. I was briefly involved with Sofar Sounds and also did some live music photography which is a big passion of mine, but only this year did I decide to properly get back into the scene because I miss it so much and it’s also grown bloody loads which is amazing.

What advice would you offer to others looking to be more involved in music?
Just go for it. Regardless of what area you want to get into whether its writing, photography, promotions, playing in a band –  just give it a go. I spent years being scared to network because I thought people wouldn’t take me seriously so have the confidence to fight for whatever it is you want and as long as you work hard you’ll get there. Also be nice to people, the music industry is way smaller than you think and connections are everything.

What are your favourite things about the north east music scene? Are there any particular highlights from your experiences?
The people. Honestly, I know everyone says it but it’s so true. I haven’t got a lot of connections in the North because I was too scared to make any before I moved (so hiya if you’re reading this, let’s grab a beer) but since I have started The Tyne Tribe you can see how truly supportive everyone is of each other and it’s refreshing to see.

I think my personal highlights are just becoming more familiar with the local venues since coming home. I took them for granted before, but now they’re some of my favourite places to be.

Where can others find out more about your work and how can they get in touch?
If you’re interested in The Tyne Tribe we’re on Twitter @thetynetribe, or you can subscribe to the newsletter that goes out twice a month here (it’s free) https://www.getrevue.co/profile/thetynetribe.

If you wanna be pals with me and grab that beer, I’m at @bekkacollins on Twitter, but also still do freelance social strategy work and shoot gigs when I can www.bekkacollins.com 

Categories
Guest Interviews

NMC Guest: Claire (Founder & Editor at NARC. Magazine)

How long have you been active in the north east music scene and what do you do?
I’ve been going to gigs in the region since around 2002. Music and writing have always been a passion and I started freelancing for local magazines and newspapers but ended up a bit frustrated that there wasn’t an outlet for me to talk about the amazing talent I was discovering in the region, so I set NARC. magazine up in 2006 to fill a gap in the market – both for likeminded writers, but also for musicians to get a wider platform. Since then, we’ve become an established part of the region’s cultural landscape, a source of alternative music and culture news, reviews, interviews and opinions, with a dedicated audience and a trusted voice.

How did you become involved in music and what have you done to get where you are today?
Mostly by good old fashioned networking – if you can call going to gigs and talking to anyone who’d listen to me ‘networking’! In the early days, attending as many gigs as I could and meeting new people was absolutely essential in building a picture of the region and understanding the scene. It’s often at gigs that I meet writers who are keen to join the team, and hear bits of news that end up turning into articles.
I’d like to think we’re approachable and open to anyone who wants to be featured in our pages, and we treat musicians and creatives in a fair and friendly manner.

What advice would you offer to others looking to be more involved in music?
When it comes to writing, just doing it a lot will serve you well! When I was first starting out for at least a year I read nothing but music magazines – across every genre and style imaginable – and I read them from cover to cover. It helped me to understand the style of writing I liked (and that I didn’t like) and helped to shape my own voice.
When I first started out, there wasn’t really anyone to ask advice from or get any insight into the industry, so I largely forged my own path and made it up as I went along for the most part – now I’d like to think that there are more resources out there for budding writers, and I’d certainly like to encourage people interested in music and culture writing to get in touch with us at NARC., I’m always happy to give advice to writers as well as bands looking to get a bit of an insight into the world of press and promotion.

What are your favourite things about the north east music scene? Are there any particular highlights from your experiences?
We’re a small region, but I think we have the potential to make a lot of noise. Being somewhat isolated from the rest of the country has its plus points, I think the music scene is largely quite supportive and there are a lot of well-meaning people and organisations who can help steer musicians on the right path (like Tees Music Alliance, Generator and Tracks). I think it’s this aspect that makes me feel the most proud to live here and be involved in the music scene.
In terms of personal highlights, right now I’m feeling very wistful about the events we’ve been involved with in the past – things like NARC. Fest and Stockton Calling – these festivals are always a highlight of my calendar, as I get to see so many bands and meet music fans, which is really at the heart of what we do at NARC. I can’t wait to get back to a sweaty music venue and some loud music!

Where can others find out more about your work and how can they get in touch?
Our monthly magazine can be found on Issuu while we’re digital-only – www.issuu.com/narc_media and when we’re in print our list of outlets are on our website www.narcmagazine.com, where you’ll also find loads of original content including videos, features and exclusives. NARC. TV is our magazine-style online programme, which features performances and interviews by local artists filmed in local venues – that’s available to watch at www.youtube.com/NARCmagazineTV.
And we’re on the usual social media channels too: Facebook, Twitter & Instagram.
Anyone is welcome to get in touch by emailing me at narcmedia@gmail.com