Industry Interviews

Industry Interview: Pippa (Generator & Singing Light Music)

How long have you been active in the north east music scene and what do you do?
I’ve been active in the North East Music scene for around two years, having moved up to Newcastle from Wales to study music at Newcastle Uni – however since the moment I arrived I got well and truly stuck in the local scene!

I have my fingers in quite a few pies – I currently work at local talent development agency Generator, at artist management and distribution company Singing Light Music, and I also work at Du Blonde’s record label imprint Daemon TV.

How did you become involved in music and what have you done to get where you are today?
I was a musician from a young age and got involved in gigs through playing the saxophone – but I soon realised that it was behind the scenes that I wanted to build a career in. Whilst at University I put on some live events within the jazz community and became more active in the wider scene in general, going along to as many gigs as possible (difficult during a global pandemic!) and picking the brains of those currently working in the industry (mostly via zoom!).

After completing a placement whilst at University – I landed my dream job at Generator, and through the power of networking, gained work with the amazing people behind Singing Light Music and Daemon TV.

What advice would you offer to others looking to be more involved in music?
Utilise your surroundings! Seek out/go along to as many gigs and events as possible, and make the most of the expertise of those already working in the industry. In my experience – people are more than willing to chat through what they do and help out if they can, one of the great things about how collaborative the North East music industry is!

What are your favourite things about the north east music scene? Are there any particular highlights from your experiences?
How close knit and welcoming the local music community is. Ever since I stepped foot up here I’ve been welcomed by the Newcastle music scene with open arms – and I’ve been very lucky that I’ve met lots of great people who have supported me in building a career up here.

Particular highlight for me has been being a part of the founding group of supportive network Forward NE (for women, trans and non-binary people working for equality and diversity in the North East). I’ve been able to meet and work with loads of great people, and have been a part of organising some fantastic events building collective power for change.

Where can others find out more about your work and how can they get in touch?
I’ve recently set up my own platforms as a creative practitioner so I can put all my various music activity and projects in one place – you can find me over on @PMorganMusic on Instagram and Facebook, and @PM__Music on Twitter.
PM Music: Facebook | Instagram | Twitter

I’ve just announced a gig on there with the amazing collective NEWISM (North East Music In Soul Music) at Cobalt Studios on the 19th of March. Tickets on sale here!

Artist Interviews

Artist Interview: Crux

Hello, Crux. In your own words, how would you describe your sound and style?
We often describe our sound as alternative rock, but that’s quite an umbrella term. Though, we’ve recently been described as prog rock mixed with punk which I think accurately describes our sound. Our bassist, Hallam, cynically thinks this is the sound we’ve developed as we’re not technical enough to write actual prog rock!

October 2021 saw you release your debut EP: “Death at the Cash Machine”. What is the story behind the EP and, generally, what themes does it deal with?
The EP has been years in the making. It started with the release of Bigg Market way back in 2019 – this was a real turning point for us as we’d never really been comfortable in the recording studio beforehand and we were really pleased with Kyle Martin’s work at The Garage Studios on the track. The single had local success, featuring on a documentary about the street, as well as receiving radio play. The track also helped us get in touch with acclaimed producers, Jim Lowe and Max Heyes. So, in the October and November of 2019, we recorded Slaving Away and Living in Dystopia in London. These singles were due to be released at the start of 2020, then covid happened… 

Resultantly we didn’t release the tracks until October 2020 and February 2021. As soon as the recording studios started opening again, we got in touch with Andy Bell at Blast Studios and recorded the remaining three tracks, Incel, Radgie Gadgie, and Agent Orange (+erased), and we finished recording in April 2021.

Despite the fragmented timeline between all of the songs, they encapsulate our varied sound and themes. Our lyrics usually comment on social issues, and the EP looks at the death of collectivism and the rise of individualism, and the pressures this puts on people. One pressure we really dissected in the likes of Bigg Market, Incel, and Radgie Gadgie is toxic masculinity, one of humanity’s worst diseases. 

You’ve managed to remain active, despite local, national & international circumstances. What has it been like playing gigs through the year and what gigs do you have in the diary for 2022? 

We’ve been very lucky to play quite a few gigs from July to the end of this year. They’ve been really exhilarating – I think so many people were cooped up for so long that as soon as people were back in their local venues, there was just a massive release of energy, so they’ve almost been cathartic as everyone just goes mental. We have noticed as soon as cases go up again, gigs are less well attended, which is no surprise!

We’ve got a few gigs scheduled in for 2022 so far, we’ll be playing the NE Volume Music Bar on January 21st, The Globe on February 25th, and Teeside Student Union on March 11th.

Crux (Photo Credit: Chris Ord)

Have you had much of a chance to look ahead to the new year? If so, what plans do you have and what would you like to achieve in the upcoming year?
We’ve just received confirmation that our EP vinyls will finally be shipped to us in April 2022, so we’re thinking of hosting a vinyl release party then, and potentially releasing Radgie Gadgie as a single to help gain some momentum.

We’re also rehearsing four new songs at practice at the minute, and we’re really excited with how they’re sounding. It’s likely we’ll get these recorded this year and released.

We’re hoping to play a few festivals in the summer also, as long as they don’t all get cancelled again!

What advice do you have specifically for other north east artists? And what advice do you have for artists in general?
The things I’d do to go on a time machine back to 2014 when we were first starting to give myself a lecture on the do’s and don’ts. I’m still learning though, that’s one bit of advice, no one in the music industry knows exactly what’s going on, it’s a bit of a free-for-all (good old free market capitalism), so you’ve just constantly got to be on your toes and learn from every experience.

The main things I’d recommend for local artists and artists in general would be to make sure you get a really good recording of your track, and make sure you’re very prepared for a release. Beware of sharks too because there’s plenty of them, but in the same sentiment, never burn bridges. Connections are one of the most efficient ways to make headway in the industry.

Lastly, what artists are on your radar that you would recommend others listen to & see live?
I recently saw Lanterns on the Lake and black midi live; both were unbelievable experiences and I couldn’t speak highly enough of them. We also played with Goodsprings in December and they put on an unbelievable live show, Sam’s a cracking front man, and it’s brilliant to see how much they’ve progressed as a band over lockdown. We’re also playing with Alex James at Teeside Student union in March, and we’ve always been a fan of his, we’d definitely recommend anyone giving his music a listen!

Follw Crux on socials: Facebook | Instagram | Twitter

Industry Interviews

NMC Guest: Simon Shaw (KU Promotions)

How long have you been active in the north east music scene and what do you do?
Hey, I’ve been active since I was 18 years old as a musician, I think I put my first gig on when I was 22 as a promoter? I’m 33 years old now, it’s been a long long time. My main role is co-promoter over at KU Promotions alongside Jimmy Beck but I also am a rep for other gigs and even more recently also take photos/videos of gigs. Bass playing wise I’ve played in a fair few projects most notably Cape Cub but currently playing with ‘Travis Shaw’ and ‘Church, Honey’ with a couple others TBA (that’s a promoter joke but also true).

How did you become involved in music and what have you done to get where you are today?
I’ll speak mainly as a promoter from now on as that’s been my full-time work for so long and probably more interesting than wanting to perform on stage ‘because it’s class’. I wanted to put gigs on because I wanted my mates to have somewhere to play at the start.  I did everything myself to keep the costs down to please the venue owner at the time which meant setting up, doing the sound, taking little breaks away from the desk to take photos and serve some drinks if the bar was busy. I did that four, sometimes five nights a week for three years. I do think I’m still here because I’m very honest and friendly and people can see I’m horribly working class, I’m not from money in fact my parents were both disabled growing up. I am a people pleaser and somewhat live my happiness through the events I put on. I love live music, I don’t think there’s anything better than a dead good gig.

What advice would you offer to others looking to be more involved in music?
If you’re wanting to be a promoter I’d say find your local small venues, go in and watch the gigs as early as possible, maybe turn up at the door time. Stay as long as you are allowed and watch and take in what’s happening. Usually these gigs have the lowest overheads so speak to the owner of the building and see how feasible it would be to put a night on and explain it’ll be your first. Thankfully the buzz with your mates about your first promoted gig will be enough to fill a small room but then comes the graft. Little tips that always work is to keep the bands happy with expectations of what the gig is and how sales are going. Keep your engineers happy by sticking to planned timings and give them enough space and time to work. Keep everyone safe and most importantly, look after yourself. It’s a tough craft at times because the buck literally stops at you, if an event fails it’s because you didn’t get it right and that’s okay.

What are your favourite things about the north east music scene? Are there any particular highlights from your experiences?
I think the word wholesome is the vibe for me. I love seeing people succeed in their own expectations. My favourite thing is listening to people talk about something they really care about and the music world is full of those kinds of people.

Are there any upcoming events that you’re especially excited about and, if so, why?
The big one we’re promoting this year is a new music festival in Stockton called The Gathering Sounds festival. The best way to describe it to gig going fans is that it is a very slightly smaller Stockton Calling festival. Six stages all in established music venues like Georgian Theatre, ARC and KU itself. We’ve got This Feeling and Under The Influence promoters curating their own stages at this years festival. The line-ups announced please do check out because I could write a book about them all by now, headliners are Red Rum Club, Sophie and the Giants and The Mysterines, Du Blonde and Himalayas. It really feels like this is the year for a bloody big all day music festival ey?

Where can others find out more about your work and how can they get in touch?
My personal social media accounts are full of my work or you can check out KU Stockton on the usual places, I’m over at @SimonShawBass. Always happy to answer questions and I love a good natter so if you spot me at a gig let’s chat. Thanks very much for the questions Northern Music Collective.
KU Stockton: Facebook | Simon: Instagram & Twitter

Industry Interviews

NMC Guest: Rotate Records

Who are, or what is, Rotate Records? And what do you do?
Rotate Records is a Durham based dance music label looking to expose the city’s present, but unseen production talent. The label is one part of the multi-faceted organisation, Rotate: a collective of producers and DJs whose primary goal is to provide a platform for Durham based artists to promote their music and bring the local scene onto the map. We want to bring together the huge mix of tastes, skills and sounds from both the student and local communities and our debut project, the various artists compilation ‘66 Saddler Street’, aims to do just that.

What is the history of Rotate Records?
Rotate grew from a group of students who had a strong collective appreciation for underground dance music. We actually started from a house party that essentially moved house and turned into a full fledged weekly Wednesday night club event. That first year, pioneered by the ‘founding fathers’ Luke Thorne and Callum Traynor, saw this close community grow. The next year Isaac Green, Andy Knape, Dina Hudson and Brettan Garrett continued their legacy and brought in wider crowds, attracting those not so used to our kind of music, whilst at the same time still giving grassroot DJs the chance to play a live headline set. This year, despite the obvious lockdown restrictions we expanded our organisation. With such a strong following from the previous years, we had all the backing to start a podcast series and begin our new label Rotate Records. Fortunately, these were possible to do at a time when events were not.

What are your aims or mission statements?
Rotate’s primary focus has always been to provide a platform for Durham based dance musicians to showcase their music, whether that be DJs or producers, local or student. With our events, we aim to give fledgling DJs the opportunity to perform a headline set, often their debut. With Rotate Records, we aim to showcase the raw talent of dance music producers in Durham that have been under our noses the whole time.

How did Rotate become integrated in the music scene in the North East? And what is next for Rotate Records?
Rotate as a collective has comprised a number of students over the years who have had ties to Newcastle in the North East especially. Our residents at Rotate have been going to raves in Newcastle since before the brand was founded, notably events run by Rush, Ape-X and Ill Behaviour. It is through these events that we’ve been able to get in touch with DJs and producers and integrate ourselves with the music community in the North East. Everyone has been so accommodating and ready to go out on a limb to help out, which has really helped us to grow and develop.

We’ve got a lot of exciting plans for the next couple of months, after our debut compilation release on June 18th, we’ve got a couple of events lined up in Durham. We’re doing a takeover at the BST Durham Terrace Party alongside Harrison BDP and Hamdi on the 21st of June and have numerous other events in venues around Durham. After this premiere compilation we have a couple of singles lined up to release over the summer which we’re hoping coincides with the return of events and clubs over the coming months.

What advice would you offer to others looking to be more involved in music?
As cliche as it is, above all else strive to be ambitious and independent. For us, we’ve never been afraid to stray from the beaten path and as a result we’ve adapted to all the challenging conditions we’ve had to face over the last year. The majority of us had not done much before we got involved with Rotate, it was just a case of putting in the hours at any opportunity and loving every bit of it that got us where we are now.

Where can others find out more about your work and how can they get in touch?
We’ve got a website which we keep updated regularly with our mix series, live streams, podcasts, playlists, merch and events:

Check out our social media as well for all our latest events and news:

You can also get in touch by email at 

Industry Interviews

NMC Guest: Bekka (The Tyne Tribe)

How long have you been active in the north east music scene and what do you do?
Oooh. This is a hard question to answer as I’ve been in and out for years, ha! But if we’re focusing on what I do currently, then I would say since the start of 2021.

I had the idea of wanting to create a newsletter database for gig-listings for when the world is out of the pandemic. I got too excited and launched The Tyne Tribe on International Women’s Day. In it’s current form, it’s best described as a curated newsletter of some of my favourite musical discoveries from the North East who I call “The Tribe” (I spent four years in London so I’m basically re-educating myself) and it also features some small-scale reviews, shares other publications articles’ and songs I’m currently listening to.

As lockdown restrictions ease it will focus more towards listings, events and music news but for now I am enjoying sharing some of our regions best talent and being able to provide another platform to shout about how wicked everyone is.

How did you become involved in music and what have you done to get where you are today?
So I used to have a couple of online zines from around 2011-2015 that focused more on promoting acts from the UK and USA rather than necessarily regionally. I went to University in Sunderland though, so had some very ad-hoc single review pieces published in The Crack and on the Uni’s website as well.

But my zines helped me land an internship at Sony Music so I moved down south and worked on various releases including Blue, Judas Priest, Carrie Underwood and Live Lounge. After my year was up I moved to a digital agency where I spent three years creating social strategies and album campaigns for Ward Thomas, Calum Scott, Tom Walker, Years & Years, The xx, Ellie Goulding and loads more! It was a brilliant experience and I loved seeing the real industry side of things that seems to be hidden to us Northerners.

After four years down south I decided to come back up North and for a while I didn’t do too much. I was briefly involved with Sofar Sounds and also did some live music photography which is a big passion of mine, but only this year did I decide to properly get back into the scene because I miss it so much and it’s also grown bloody loads which is amazing.

What advice would you offer to others looking to be more involved in music?
Just go for it. Regardless of what area you want to get into whether its writing, photography, promotions, playing in a band –  just give it a go. I spent years being scared to network because I thought people wouldn’t take me seriously so have the confidence to fight for whatever it is you want and as long as you work hard you’ll get there. Also be nice to people, the music industry is way smaller than you think and connections are everything.

What are your favourite things about the north east music scene? Are there any particular highlights from your experiences?
The people. Honestly, I know everyone says it but it’s so true. I haven’t got a lot of connections in the North because I was too scared to make any before I moved (so hiya if you’re reading this, let’s grab a beer) but since I have started The Tyne Tribe you can see how truly supportive everyone is of each other and it’s refreshing to see.

I think my personal highlights are just becoming more familiar with the local venues since coming home. I took them for granted before, but now they’re some of my favourite places to be.

Where can others find out more about your work and how can they get in touch?
If you’re interested in The Tyne Tribe we’re on Twitter @thetynetribe, or you can subscribe to the newsletter that goes out twice a month here (it’s free)

If you wanna be pals with me and grab that beer, I’m at @bekkacollins on Twitter, but also still do freelance social strategy work and shoot gigs when I can 

Industry Interviews

NMC Guest: Jordan (Editor at Spotlight Music)

How long have you been active in the north east music scene and what do you do?
I am the editor and manager for which is a North East based music blog, but we also occasionally do video content and put on gigs too.
My role is primarily to organise and delegate content to our volunteer writing team and make sure that it is of a good standard when we publish it and share it on social media.
In addition to this I am constantly networking with musicians, PR, managers, photographers and venues to make sure that they are on our radar and we are doing our best to help those who need it.
I’ve been active as a journalist and reviewer for around four years, an editor for three of those years and sole owner of the Spotlight brand since 2018 when it’s other founders moved on to pursue different projects.

How did you become involved in music and what have you done to get where you are today?
I’ve been going to gigs since I was 16, we used to get a lot of the national up and coming metalcore and hardcore bands come through Newcastle on tour so I was constantly at the 02 Arena and The Cluny for those. When I started a journalism course at uni I initially wanted to pursue a career in news journalism, but found myself being involved more and more in local arts and culture projects. I met one of the founding members of Spotlight while at university as it was just starting out and they were looking for writers, before long I was writing content for the website and not long after that I was sub-editing other writers’ contributions and helping to organise their events and social media.

Spotlight became my priority once I graduated from university and I jumped at the chance to officially take over ownership of the website in 2018.

What advice would you offer to others looking to be more involved in music?
If you haven’t found an artist or project you love in your local music scene, don’t give up! There’s always a huge range of hard working individuals in every genre imaginable, you just might need to scratch beneath the surface or try something new.
Take a chance and see a random band play live (Post-pandemic obviously) or start asking around for some recommendations, read blogs or listen to playlists and I’m almost certain something exciting will show up.
You can build some really rewarding relationships just by showing an interest in your local artistic community and more often than not the musicians are hugely grateful for your support.

If you’re wanting to get involved in writing reviews, features or music journalism I would say that there is no secret key to success other than to practice and delve into reviews made by others. Try out different styles and formats until you find something that fits you.
Start your own blog or see if you can contribute to a pre-existing one and be open to feedback and constructive criticism so you can learn and grow.
But definitely don’t be hard on yourself if you find yourself struggling to find inspiration or can’t quite reach a stage where you’re comfortable showing off your work to others yet.
Everybody starts from this point and you are absolutely as capable of being a fantastic writer as everyone else!

What are your favourite things about the north east music scene? Are there any particular highlights from your experiences?
I love that, even after all this time, I’m still finding new musicians, labels and projects that I’d never heard before! 
There is always something new around the corner to discover, and a dedicated following ready to help support it, no matter how niche.
I’m also so encouraged by the fact that, once you start engaging with the music scene, familiar faces show up in crowds or on stage and that makes the experience feel more special.
This is especially true when you’ve been involved for a few years and you can see artists develop and grow over time!

Where can others find out more about your work and how can they get in touch?
Spotlight Music: Facebook | Instagram | Twitter

Industry Interviews

NMC Guest: Adam (Promoter [Famous Last Words] & Founder of MUNRO Festival)

How long have you been active in the north east music scene and what do you do?
I have had a voice in the music scene for nearly nine years. Famous Last Words started in 2016 and the majority of the organising, planning, designing the work, promotion and managing I have done myself.

How did you become involved in music and what have you done to get where you are today?
Following the blog, I took an interest in the event organisation, planning and the behind the scenes of live music events. This included preparation, familiarising myself with all aspects of the event, equipment and promotion. In doing so, I started working with events company Ten Feet Tall, that at the time were based at the Middlesbrough Empire. During my work with them, I created Famous Last Words. FLW has been a huge personal success as I have worked with incredible local artists and some further afield. I have also had the pleasure of managing stages at Stockton Calling, The Gathering Sounds and Twisterella over the past few years. FLW have also managed it’s own all day festival called MUNRO for the past two years.

What advice would you offer to others looking to be more involved in music?
The three most important tips I always give to people, if they ask me this question, are:

Tip 1 – Get to know everyone within the music scene, physically go to gigs, have a look around see who is there; 99% of the time people will always have a chat with you and if they don’t know something they’ll help you by directing you towards someone who does.

Tip 2 – Get involved because you love music, not because you want to make money from it. I can’t stress this enough, at a grassroots level everyone is doing it because they love music. There isn’t any other reason than that.

Tip 3 – Don’t be a doyle. Simple advice.

What are your favourite things about the north east music scene? Are there any particular highlights from your experiences?
The North East music scene is amazing, from Newcastle to Hartlepool, from Sunderland to Stockton, it’s full of class talent.
The togetherness as such, everyone is wanting everyone to do amazing things and take it to the next level, I think because sometimes the North East does get over looked in some ways, it gives everyone a motivation to prove people wrong and the area has been doing that for years now which is class.
My highlights as a promoter would be selling out gigs, Cape Cub & Michael Gallagher are probably the highlights for me in that sense because they were the first two I did. Working with Stockton Calling is always a blast as well, always one of the first things I write on my calendar whether it be as a promoter or as a ticket goer.
The highlight that is always in every gig and I don’t know if anyone else does it as a promoter but I watch people leave and if I see people leaving with a smile, I have done my job, giving them a nice night, bit of entertainment. Always something I look for.

MUNRO is always a highlight, working with the likes of The Lottery Winners, The K’s, Komparrison, Plastic Glass, Club Paradise, Walt Disco. I could spend all day chatting about MUNRO but I don’t want to bore your readers too much.

Where can others find out more about your work and how can they get in touch?
Famous Last Words can be found @FamousLastBoro on all socials! I do prefer if bands want to send me something or are wanting to work with me, to email me at
Famous Last Words: Facebook | Instagram | Twitter

Industry Interviews

NMC Guest: Mal (That Verbally Withdrawn Music Blog)

How long have you been active in the north east music scene and what do you do?
I was first introduced to the music scene about 2003 when I was in a punk band called Verbally Withdrawn. But right now I have my own music blog which is named after that band called That Verbally Withdrawn Music Blog. I also still play I’m currently in a blues-influenced band, Grim Lizard (formally Dark Passenger), as the bass player.

How did you become involved in music and what have you done to get where you are today?
My interest in music started when I got introduced to the band Blink 182. I just loved everything about them; the image and music all seemed very cool to me. Over the year I’ve been in and out of bands and have made many friends along the way. I’ve also been very keen on supporting over bands and going to as many gigs as I can. That’s why I started the blog and, I think, the more I do the more popular the things I have posted have gotten.

What advice would you offer to others looking to be more involved in music?
My advice, if you’re interested in going to gigs and getting involved yourself, is to find other people with the same interests and catch some shows together. If you’re interested in writing, maybe start your own blog or get in touch with people already involved like local zines or magazines for a little help.

What are your favourite things about the north east music scene?
The support that people give each other, especially recently, has been incredible to see. I also love that events aren’t just limited to music acts; you get all types of art being displayed at events. People using art to send out a message. There’s really been loads going on over the past few years. On a personal level, I’ve enjoyed being involved in many things like bands messaging me upcoming tracks to review, and being in the band getting to play festivals like Stockton Calling, Heelapalooza and Volkspower, were so much fun. One of my favourites was playing Salsola’s single launch for the song “Cass”. I’ve always enjoyed launches that are organised by the band. It’s always been a fun and creative way bands to support each other.

Where can others find out more about your work and how can they get in touch?
Mostly on the socials such as Facebook or Twitter, for the blog just search “That Verbally Withdrawn Music Blog”, and for the band search “Grim Lizard”.
That Verbally Withdrawn Music Blog: Facebook | Twitter | Website
Grim Lizard: Facebook | Instagram | Twitter

Industry Interviews

NMC Guest: Dave (Spark Sunderland Producer)

How long have you been active in the north east music scene and what do you do?
This is a tough one to answer really as I can’t really say when I got involved as it feels like forever but it’s mainly been in the last year and a half properly I’d say.
For those that won’t know me, I’m a producer at Spark Sunderland, a radio station based at the University of Sunderland, so I look for bands and artists to interview and feature on our music playlists. I have a section on our Friday Drive Show with presenter Emma – had to name drop, sorry 😂 – where we do the interviews with the bands and we normally have an acoustic set to accompany this. The show, as the pairing, has been going for a year-and-a-half so I kind of pin point it there (but I do still remember Street Party in Soho before Club Paradise made their mark; sorry Ryan, but 17 is a banger).

How did you become involved in music and what have you done to get where you are today?
Having moved to Sunderland for university, and making friends and being involved with Spark, I began to meet those involved in the scene – whether they’re in a band or were/are doing similar to what I do, etc – got me into it, so I started going along to gigs and then wanted to incorporate promoting bands on my shows as it’s always something that I’ve been a big supporter of, because every chart topping artist has had to start locally and gain that support somehow and if you don’t support the “small bands” they ain’t ever going to get “big”!!
A lot of what I’ve done has been a part of Spark; just loads of graft and going to gigs and chatting with the bands after sets and making yourself known really. Biggest pro on the scene is how friendly and approachable the scene is in every aspect. Bands are always happy to chat and we’re always happy to feature so it’s a win-win!!

What advice would you offer to others looking to be more involved in music?
My advice for anyone who wants to start blogging, interviewing, starting a band, gigging, gig photography, PR, whatever it is: just go and do it! We’re all our own stopping block, so I always say, if it’s something you really want to do, go and it give a good bash!! You will definitely come across so many supportive people who will give you advice, support and anything else so we never need to worry about those who don’t want to support (and stuff those who ain’t there to be supportive, they’re not important!).
Before you start: if you’re hesitant, speak to people already doing similar work to what you want to do and speak to others in the scene too because everyone will always support you and fill you with confidence! I’ll always be happy to offer advice in any way!

What are your favourite things about the north east music scene? Are there any particular highlights from your experiences?
Oh jeez! I guess I’ll take this time to say a massive thank you to every single band or artist that has done an interview, most have become regulars! Sent music without me having to slide in your inboxes. So I’m grateful for every single one you!
Highlights from the scene, I honestly couldn’t pick cause there’s so many! I’ve had so much fun going to gigs and seeing live music, and the thing I love the most is seeing all those other people who are involved in some way and chatting to them at the gigs because it’s such a friendly scene – it’s amazing!
I’ve made mates from doing what I do which is always a bonus! Also being able to attend gigs with mates who are also involved in the scene makes it a little big greater too! (Becca from The Alternative fix, here’s looking at you, and George from Ghost//Signals, swear I’m your personal roadie when gigs happen).
I can truly say that the NE scene is one of the most vibrant, varied and friendly scene to ever be a part off! From the venues, bands, managers and everyone in any role it really is the best!! And the variety in genres and sound is so unique!
But mostly out of everything, meeting and knowing so many amazing people in the scene is the biggest and best highlight of it all! I’m fortunate to meet those who have made it big but also to those who just make the scene what it is and that’s everyone, big or small!

Ps. Dan Robinsons speech from Avoid S**t Parties is the best thing ever, if you don’t know then I feel sorry for you! (Rick saved Christmas!). We won’t give you buckfast next time Dan, we promise. If you know, you know!

Where can others find out more about your work and how can they get in touch?
So if you want to know, at the time of writing it’s every Friday 3-6pm on Spark Sunderland is where you can hear the show. Our local guarantee is between 5-6pm!
If you want to get in touch with myself directly for anything via: or
Or, if you’re on Instagram, it’s @daveleurbost and you can drop a line in my inbox there! I share a lot of the scene on my stories BTW so all the more reason to follow.